Sleeping and Waking
Since
we have returned, letting go of our life in Europe has conflated with
much other letting go, sometimes
wistfully so, yet always
freeing. Among other changes, the return to life here has featured
readjustment to space,
mental and physical, as we continue to merge what were for
many years our separate households. Most of our possessions were kept
in storage while we were in
Vienna, and only now are we dealing with the duplication and excess.
The size of our present
house has required us to discard the duplicates, the dated if not
obsolete, and
the cumbersome. During the unpacking, I have picked up a great many
books that, I realized, I am unlikely ever to wish to open again, nor,
most likely, would whoever finally handles my estate. And so they have
by the dozens gone into boxes for donation
to charity. The books sometimes take me back to college years or later
times when I first acquired or read them; other objects have returned
me to childhood, and those have been more difficult to let go of. Many
of the items that we have donated and discarded had histories as the
only reason for their survival; some traveled with me for move after
move over the decades, though their utility turned to dust years ago. I
am reminded of an awful painting by Andrea del Sarto that probably
still hangs in the Corsini Gallery in Rome: with a shifting,
inconsistent perspective, a dull-eyed baby Jesus with a nose bridge as
wide as a goat's and arms and head freakishly out of proportion, stares
into space, and Mary's stultifying gaze invites the viewer to fall into a
coma. The Corsini cannot consign it to the landfill or the Goodwill
store not just because it
is by a well-known artist, but also--and mostly, I suspect--because it
is old.
My father treasured a few humble items that belonged to his parents: a razor strop, a shaving cup, a wooden pestle. I still have them, put away in a box, where they are likely to stay. For me, the links to his childhood can be only vicarious; it is as if I would be disappointing him or dishonoring his memory were I to discard those items. For many years I have hauled along with me a small table made of pine. When I was a child, it stood in our kitchen, and I had many a family supper of roast, boiled potatoes, and overcooked vegetables on it. The legs became wobbly and had been braced anew twice over the years, and I could have repaired the table yet again. The time had come to euthanize the memories. I thought of a deconsecrated church in my old neighborhood in Rome that was being used as storage for a nearby household furnishings store. This holy relic of my childhood was now just taking up space, I thought. The first step in letting go of it was to deconsecrate it--repeating to myself that it was a decrepit wooden table, the utility of which was, like my childhood family, no more. A few days later I set it at the curb for trash pickup, and a tousle-haired man in dirty white coveralls tossed the pine bones into a huge white County Waste Disposal truck, Death's winged chariot. And I am glad to have the space.
My father treasured a few humble items that belonged to his parents: a razor strop, a shaving cup, a wooden pestle. I still have them, put away in a box, where they are likely to stay. For me, the links to his childhood can be only vicarious; it is as if I would be disappointing him or dishonoring his memory were I to discard those items. For many years I have hauled along with me a small table made of pine. When I was a child, it stood in our kitchen, and I had many a family supper of roast, boiled potatoes, and overcooked vegetables on it. The legs became wobbly and had been braced anew twice over the years, and I could have repaired the table yet again. The time had come to euthanize the memories. I thought of a deconsecrated church in my old neighborhood in Rome that was being used as storage for a nearby household furnishings store. This holy relic of my childhood was now just taking up space, I thought. The first step in letting go of it was to deconsecrate it--repeating to myself that it was a decrepit wooden table, the utility of which was, like my childhood family, no more. A few days later I set it at the curb for trash pickup, and a tousle-haired man in dirty white coveralls tossed the pine bones into a huge white County Waste Disposal truck, Death's winged chariot. And I am glad to have the space.
Another
feature of our readjustment has meant purchasing a few pieces of new
furniture to replace what was too worn or not the best fit. Along with
storage cabinets and shelves in the garage to hold some of the kitchen
overflow neither of us is yet ready to toss or donate, we have acquired a
set of shelves for our kitchen, a headboard for our bed, and a curio
cabinet for our diningroom--all from the same furniture store. Each time
we have visited the store, the same salesman, CB, has emerged from a
grotto of desks, computer monitors, and furniture catalogs. We like
CB. He is the main reason we go back to the store. He is about my age
and similarly coiffed: he has no hair on top; there are closely shaved
white sidewalls with matching forehead dimples from a forceps delivery,
as if his entry into the world, like our return from Vienna, was a bit
reluctant. His bright blue eyes bulge slightly, his chin juts just a
bit, and his ever-present, extra-wide smile shows large, even teeth as
white as his
closely cropped mustache. His smile, stretching past the incisors to
the molars, says "Welcome. I just tore the skin off some
fried chicken with my teeth, and it was delicious." As CB shows us the
store's selections in the kind of item we want, he drawls about the
past--the history and demise of American furniture makers--and about the
acquisitive habits of his
wife, who, he alleges, owns 12 cabinets exactly like the one we are
considering buying. A number of the items that he shows us, he notes,
were made by a company in "Chicargo." CB sprinkles his speech with the
compensatory 'r'. Dimly aware that he omits that sound where it does
belong, he generously supplies it elsewhere like Gothic phonological
ornament. We will fill the cabinet with relics from our two years in
Vienna, knowing that someday our children will deconsecrate most of
them, and, like my books, they will find their way to the landfill or an
estate sale, their histories and identities lost in what Oliver Wendell
Holmes called the uncatalogued library of Oblivion. Perhaps the cherry
curio cabinet will last longer than my pine table.
Glad to be back, and yet...
Here the landscape seems to change rapidly, and Americans' inclination to preserve often has more to do with natural tracts than with our history and civilization. US cultural extraversion, though at times loud, oversized, and enervating, is also embracing in a comfortable, secure way if only because it is familiar. And we are back with grandchildren's soccer games, pumpkins on our porch, college football, family dinners, community theater, concerts, ethnic restaurants, and the anticipation of Thanksgiving and Christmas with our families. There is so much to love about being home, I say to myself, as I begin planning our trip to Europe in the spring...fully aware that, at its conclusion, I'll be clawing the upholstery on the way down.
Glad to be back, and yet...
Here the landscape seems to change rapidly, and Americans' inclination to preserve often has more to do with natural tracts than with our history and civilization. US cultural extraversion, though at times loud, oversized, and enervating, is also embracing in a comfortable, secure way if only because it is familiar. And we are back with grandchildren's soccer games, pumpkins on our porch, college football, family dinners, community theater, concerts, ethnic restaurants, and the anticipation of Thanksgiving and Christmas with our families. There is so much to love about being home, I say to myself, as I begin planning our trip to Europe in the spring...fully aware that, at its conclusion, I'll be clawing the upholstery on the way down.